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    <loc>https://www.wendijonassen.com/bio</loc>
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    <lastmod>2026-06-21</lastmod>
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      <image:title>Bio - A LITTLE ABOUT ME:</image:title>
      <image:caption>n my over ten years of working in documentary filmmaking and video journalism, I’ve produced, directed, and edited pieces on topics ranging from falconry and the Carolina Reaper to zero-knowledge proofs, open-sourced insulin, besieged towns in Syria, DIY submarine enthusiasts, skate culture in San Francisco, water wars in Northern California, fire tornadoes, and much more. I’ve collaborated with The New Yorker, Wired, National Geographic, The New York Times, as well as many independent filmmakers and production agencies, adapting to the needs of each project. One of my notable works, The Art of Bombing Hills in San Francisco, created during my time at The New Yorker, toured various film festivals, including Mammoth Lakes, and won several awards. I was also a producer on Mountain Queen: The Summits of Lhakpa Sherpa, directed by Lucy Walker, which premiered at the Toronto International Film Festival in 2023 and later debuted on Netflix. Today, I serve as Deputy Director of Visuals, Video, at the San Francisco Chronicle, where I lead video strategy across the newsroom. I am passionate about finding stories that matter and helping shape them into compelling visual journalism. I enjoy growing teams, meeting ambitious goals, and building audiences through authentic storytelling grounded in strong ethical reporting. As the Chronicle continues to expand its visual storytelling, I look forward to helping develop impactful stories that inform, engage, and reflect the communities of the Bay Area and Northern California. Documentary filmmaking remains my greatest passion, and I am always interested in collaborating on projects as a producer, director, consultant, or scriptwriter. I am especially drawn to character-driven stories about remarkable people, often in the worlds of sports, culture, and the outdoors. In my spare time, you can find me exploring the mountains, going on long runs along the beach, watching basketball, and cooking large meals for friends.</image:caption>
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    <loc>https://www.wendijonassen.com/home</loc>
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    <lastmod>2022-07-26</lastmod>
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      <image:caption>Role: Associate Producer</image:caption>
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      <image:caption>The Art of Bombing Hills in San Francisco</image:caption>
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      <image:caption>Behind the World's Hottest Pepper, Wired</image:caption>
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      <image:caption>Director, Producer: What it’s like to be a dancer for S.F. Ballet’s annual ‘Nutcracker’ run</image:caption>
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      <image:caption>Abandoned Offshore Oil Rigs</image:caption>
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      <image:caption>DIRECTOR, Quantum Echoes: Towards real world applications</image:caption>
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      <image:caption>Running Out of Water in California, The Guardian</image:caption>
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      <image:caption>The Longest Running D&amp;D Game, WIred</image:caption>
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      <image:caption>Director, Producer: ALS took his voice. A brain implant helped him speak to his daughter again</image:caption>
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      <image:caption>Editor, Deep Look, Ants Compilation</image:caption>
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      <image:caption>Wired: Obsessed, Foley Artist</image:caption>
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      <image:caption>Why We Can't Predict Earthquakes, Wired</image:caption>
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      <image:caption>Five Levels of Infinity, Wired</image:caption>
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      <image:caption>Twitter Support with Jack Dorsey, Wired</image:caption>
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      <image:caption>Wired, Obsessed: Rock Skipper</image:caption>
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      <image:caption>Five Levels of Zero Knowledge Proofs, Wired</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>How This Kid Built a Fingerboarding Empire, Wired</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Conversation with Jill Tarter on SETI and UFOs, Wired</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Inside the World of DIY Submariners, Wired</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>The Day the Sky Turned Orange, The New Yorker</image:caption>
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    <image:image>
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      <image:caption>Training Birds of Prey, Seeker</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Futbolistas 4 LIfe, Indie Film by Jun Stinson</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Open-sourcing the Recipe for Insulin, Seeker</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>The Bail Trap, The Root</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Drugged Inc., National Geographic</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Oakland's Warehouse Artists React to Ghostship, Gizmodo</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>The Old Believers, PBS Alaska</image:caption>
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      <image:caption>The Future of Fish, Gizmodo</image:caption>
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      <image:caption>Crowded Field of Mayoral Candidates, KQED</image:caption>
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      <image:caption>A Massive Methane Leak in Southern California, AJ+</image:caption>
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      <image:caption>Thank You Surf Again, Independent Film</image:caption>
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      <image:caption>How to Train Seals in Alaska, Alaska Public Media</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Silly Little Thing, No Reason</image:caption>
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    <loc>https://www.wendijonassen.com/resume</loc>
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    <lastmod>2026-02-13</lastmod>
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